If everything really does get better, the way everyone claims, then happiness should be graphable. But that's crap, because better isn't quantifiable.

It was about being able to dance like Cassidy did, as though no one was watching, as though the moment was infinite enough without needing to document its existence.

People say, "I can't take you seriously because you're so young." But I think when you're young, what you feel is more pure.

Commercial music is music that a lot of people connect to at the same time, but that doesn't mean it has to be something shallow or without personality.

[In making music] it's nice to not have a goal, to not have a set format. It's very liberating to just get out of your comfort zone and be in a new space.

If everything really does get better, the way everyone claims, then happiness should be graphable. But that's crap, because better isn't quantifiable.

I always felt like I could combine good pop songs that are easy for people to like with a real person and a real mind and integrity. So maybe I bring people into that pop world who don't usually find themselves there because there's not enough stuff for them to get excited about otherwise. I try to be genuine. I try to be real. It's such a subjective thing, but I try to convey an emotion.