I didn't have a lot of exposure to films as a kid, and I never went to the cinema. I had a single mom who just planted me in front of the television.

I'm not an activist at all. I'm a filmmaker, and I wanted the people involved to tell their own story.

The relationship between a director and an editor in documentaries is so important.

I didn't know the extent of American obsession with Uganda until I got there and saw it. You ride in the plane and it's filled with American missionaries. Uganda is the No. 1 destination for American missionaries in the world.

I realized that Owen [Suskind] is completely brilliant, because he embraced and memorized all these classic Disney films - these fables that chronicle the hero's journey, and have existed for thousands of years. Owen, in a sense, grew up on a diet of myth and fable, and has become an expert on their themes, which contain a moral guide that connects people.

I wasn't that much of a Disney buff growing up, but I love the mystical and magical nature of Peter Pan, and I have connected with that character through Owen [Suskind] in making this film ["Life, Animated"].

I've known Owen's father Ron [Suskind] for years, and this was based on his best-selling book ["Life, Animated"]. We worked together as journalists at ABC-TV News, and I knew about the book since its inception. Before he finished it, he approached me and said he thought it would make a great documentary, and I agree with him, and moved forward from there.