In place of the old beliefs of a civilization based on godliness, judgment and historical loyalty, young people are given the new beliefs of a society based on equality and inclusion, and are told that the judgment of other lifestyles is a crime. ... The "non-judgmental" attitude towards other cultures goes hand-in-hand with a fierce denunciation of the culture that might have been one's own

The consolation of imaginary things is not imaginary consolation.

In the attacks on the old ways of doing things on word in particular came into currency. That word was "kitsch." Once introduced, the word stuck. Whatever you do, it musn't be kitsch. This became the first precept of the modernist artist in every medium.

The relation of the soul to the body is like that of a house to its bricks. The soul is a principle of organisation, which governs the flesh and endows it with meaning. It is no more separable from the flesh than is the house from its bricks, even if the soul may survive the gradual replacement of every bodily part.

Freedom can reside only in a point of view, a way of looking upon the system of necessity.Surely this is the one freedom that we may attain to: not to be released from physical reality, but to understand reality and ourselves as part of it, and so be reconciled to what we are.

When art becomes merely shock value, our sense of humanity is slowly degraded.

It is not the truth of Marxism that explains the willingness of intellectuals to believe it, but the power that it confers on intellectuals, in their attempts to control the world. And since, as Swift says, it is futile to reason someone out of a thing that he was not reasoned into, we can conclude that Marxism owes its remarkable power to survive every criticism to the fact that it is not a truth-directed but a power-directed system of thought.