In the attacks on the old ways of doing things on word in particular came into currency. That word was "kitsch." Once introduced, the word stuck. Whatever you do, it musn't be kitsch. This became the first precept of the modernist artist in every medium.

Modernism in architecture went hand in hand with socialist and fascist projects to rid old Europe of its hierarchical past

The sexual parts are not only vivid examples of the body's dominion; they are also apertures whose damp emissions and ammoniac smells testify to the mysterious putrefaction of the body.

The welfare state that is built upon this conception seems to prove precisely away from the conservative conception of authoritative and personal government, towards a labyrinthine privilege sodden structure of anonymous power, structuring a citizenship that is increasingly reluctant to answer for itself, increasingly parasitic on the dispensations of a bureaucracy towards which it can feel no gratitude.

To speak of beauty is to enter another and more exalted realm-a realm sufficiently apart from our everyday concerns as to be mentioned only with a certain hesitation. People who are always in praise and pursuit of the beautiful are an embarrassment, like people who make a constant display of their religious faith. Somehow, we feel such things should be kept for our exalted moments, and not paraded in company, or allowed to spill out over dinner.

In place of the old beliefs of a civilization based on godliness, judgment and historical loyalty, young people are given the new beliefs of a society based on equality and inclusion, and are told that the judgment of other lifestyles is a crime. ... The "non-judgmental" attitude towards other cultures goes hand-in-hand with a fierce denunciation of the culture that might have been one's own

There is a sort of mystery to kitsch. When did it begin? If it is just simply another name for faking emotions, it ought to have been a permanent part of the human condition.