Sometimes there are painters or very famous artists who start to become artists after they are dead because an audience or a public know about their art after they die.

At the beginning of the tour, I arrange the live show exactly like the album, but of course from one audience to another, from one venue to another, it can become longer.

Traveling changed my personality and gave me ability to do the music I do and to think in a certain way that everything can be possible.

American audiences don't react in the same way as European ones to African music because, I think, Europeans listen to this music through all the festivals that exist here.

I can change the arrangements on stage while I am playing or singing, doing signs to the musicians to change things because the audience is dancing or singing with us. That's the interesting part of the live show, actually, because everything is possible and everything can change.

Of course I am stressed after I finish working on an album about what an audience will think, if it will be successful or not.

It's a great experience just to understand that finally being well known is not the most important thing.