There is something about the unexpected that moves us. As if the whole of existence is paid for in some way, except for that one moment, which is free.

Respect the way characters may change once they've got 50 pages of life in them. Revisit your plan at this stage and see whether certain things have to be altered to take account of these changes.

The unfolding of a story is both as exciting and as difficult for each and every novel I've written, regardless of time and place.

And she did not want him to think her quite mad, only a little unique, only containing within her just that measure of the unexpected sufficient to make her irreplaceable.

Life should be embraced like a lover.

Pace is crucial. Fine writing isn't enough. Writing students can be great at producing a single page of well-crafted prose; what they sometimes lack is the ability to take the reader on a journey, with all the changes of terrain, speed and mood that a long journey involves. Again, I find that looking at films can help. Most novels will want to move close, linger, move back, move on, in pretty cinematic ways.

Writing is a strange synthesis between the two parts of your mind: the analytical side and the side that knows nothing at all, and you have to allow the dreaming side free rein.