I noticed while working on Green Lantern that the actor - albeit forefront in the film, obviously, and the key focus for the audience - is kind of the smallest cog in the machine when you're shooting.

I think theres escapist moviemaking, and we want to be captivated and taken away. If its done right, you can craft an incredible film. There have been superhero films that I think are brilliant pieces of art.

Entourage [movie] really is established as a genre unto itself, much like the thriller or the horror movie or the comedy. And those things trend.

Everyone thinks their baby is a genius. People find it delightfully refreshing when I tell them, My baby? Totally average. Like, 100 percent average.

Are you stalking me? Because that would be super.

I run in a pair of New Balances with a thinner sole, but they're nothing like those barefoot shoes that show all five toes. I have a bit of a phobia about those.

The problem with romantic comedies is you know the ending by the poster. So they're not movies you can keep doing over and over again expect satisfaction somehow.