If you have a dishonest moment, you're going to lose the audience. So I had to not only light myself in the scenes.

But if you do, then it's a high class problem to have. And if you do, you're the architect of that problem. There's no one else to blame but yourself. You've kept doing the same kinds of movies and that's what they want to see.

I think by take eight you're kind of going, "Oh, wow, I don't know if I want to fall entirely off the roof again." That stuff is tough, and I'm also not 21 anymore. I just don't like cement. Cement isn't hilarious any more.

Four months after we finished shooting, I'd been in New Orleans shooting another movie and my agent and I were having a bite to eat - actually in London - and he's sitting there and goes, 'Wow, I just can't believe how ripped you are.'

If you have a dishonest moment, you're going to lose the audience. So I had to not only light myself in the scenes.

I've had the pretty good fortune of working with some decent guys and gals.

When you're growing up in a family without a lot of money and four boys, it can't always be, 'Let's go see a specialist, see if you're okay.' If you got hurt, you just walked it off.