But if you do, then it's a high class problem to have. And if you do, you're the architect of that problem. There's no one else to blame but yourself. You've kept doing the same kinds of movies and that's what they want to see.

Each time I take a role, I'm always nervous about it at the beginning and I'm always afraid what if that, what if this. Every time I take a role and I'm somewhat terrified at the beginning and I get into it and I start working, that's a big win for me. So, really it is stepping forward in the face of whatever fears that I've created for myself and going forward anyway and those are always big moments for me.

For the most part Hollywood is a world of imagination.

I can't say I've ever finished a film and been particularly thrilled with myself or patted myself on the back. And maybe that's what keeps me going, and that's a good thing. It speaks volumes about how I perceive myself.

When I do comedy, my brain sort of locks up in the infinite possibilities. That's where I get sort of lost. I think, "Oh, there are six other jokes that we could say here!" I feel more at home with drama.

I don't think you can help but personalize a role. You almost play to none of the preconceived notions of it. It's more or less a personal experience and journey.

By the time I came to L.A. I'd already cried on movies of the week with two of the women from 'Knots Landing'.