I see guys with, like, eyebrow art, and I wanna tell them, 'You don't have to go too crazy on your brows. Take it easy, man!

It's tough. It's very tricky to throw a morally flexible character onto the screen and have an audience empathize. It's always an exercise in restraint.

I'm the guy doing calisthenics. I'm doing jumping jacks and deep knee bends. I work out like a British person.

I've always find that Aussies and Vancouver-ites in general just have a similar kind of attitude.

I'm six foot two. If I need security around me, there's a problem.

Marathon running, for me, was the most controlled test of mettle that I could ever think of. It's you against Darwin.

If you want a film and they don't want you, sometimes you have to go fight for it. Sometimes that ends up just being a meeting really, just sitting down with them and just saying here is my vision for it and here is why I really love it. But for the most part, I think filmmakers gravitate towards people that are excited - as excited as they are about the film and as passionate about it. So sometimes going after it isn't so much a function of auditioning as it is just sitting down with the filmmaker.