I had a lot of different jobs between fifteen and nineteen. I'd moved out of my house way, way younger than I should have. So I was living out on my own with my brother when I'd just turned sixteen. I did busboy stuff, and worked in warehouses, and did odd jobs, and stuff. I earned me some Pesos.

I finally had my prostate checked. And I was super-thankful that I taught my asshole to whistle before the doctor stuck his finger in there. The look on his face was priceless.

I never took acting classes, but I knew I could do it based on the skill with which I lied to my parents on a regular basis!

The woman is skin covered prozac I like to call her. Half the trick to a film like this is keeping a sort of emotional level going and keeping an attitude that induces creativity on the set. You have to be in a good mood for that. You have to be happy to make a comedy I think and Anne sort of ensured that every time by expressing most of her feelings through the exciting medium of dance.

You have to really make sure that every moment means something, and that every moment, there's a purpose for it. And then you have to blend it all together without it looking like you're really focusing on it. That, to me, was the magic trick that was most difficult for the film [Buried].

Any great director is also someone who is incredibly intelligent about whom they hire around them.

People have their complexities. They have their heroic moments and their villainous moments, too.