I'm just a huge fan of Joe Carnahan. He's such a charismatic individual and somebody that just applies every part of himself to the project he's in.

Everybody thinks it's glamorous and this spy versus spy stuff is so exciting, but working in that industry and being a CIA operative, like a field officer, is tough. That's a difficult job that usually dismantles their lives in some capacity.

The woman is skin covered prozac I like to call her. Half the trick to a film like this is keeping a sort of emotional level going and keeping an attitude that induces creativity on the set. You have to be in a good mood for that. You have to be happy to make a comedy I think and Anne sort of ensured that every time by expressing most of her feelings through the exciting medium of dance.

I don't expect success. I prepare for it.

I have bullshit moments every once in a while - like every actor does.

I noticed while working on Green Lantern that the actor - albeit forefront in the film, obviously, and the key focus for the audience - is kind of the smallest cog in the machine when you're shooting.

Mostly birthmarks is what I learned about Sandra Bullock that I wasn't aware of.