It's just a moment that doesn't feel 100-percent truthful, a kind of a square peg/round hole situation. Which is why the preproduction on a movie is so important, because you can't just push those through.

Even if my father wasn't speaking to me, he would never, ever miss a baseball game.

Well, I came down to LA initially to join The Groundlings, which is an improv comedy group. I didn't get in, of course, becaue I'm not a part of The Groundlings. I just assumed that I could walk in and take over. So they said: "Hit the road Jack." And I ended up getting an agent instead. They sent me out on a couple of leads and I ended up on a sitcom and Van Wilder thereafter and then pantsless with Sandra Bullock.

I'm six foot two. If I need security around me, there's a problem.

Four months after we finished shooting, I'd been in New Orleans shooting another movie and my agent and I were having a bite to eat - actually in London - and he's sitting there and goes, 'Wow, I just can't believe how ripped you are.'

When I meet thousands of fans of the comic - when I realize every one of them can recite the Lantern Corps oath ('In Brightest Day, in blackest night...') - I know how important this is to people.

My very worst day on 'Green Lantern' was nowhere near as difficult as my finest day on 'Buried.'