It's just a moment that doesn't feel 100-percent truthful, a kind of a square peg/round hole situation. Which is why the preproduction on a movie is so important, because you can't just push those through.

I don't think I'm prepared to give away my technique to Great Britain. Are you crazy? All I can say is there was a ninja and a fire truck involved, and a great deal of coersion.

But if you do, then it's a high class problem to have. And if you do, you're the architect of that problem. There's no one else to blame but yourself. You've kept doing the same kinds of movies and that's what they want to see.

I hope that I'm always satisfied and content like I am right at this very moment.

I'm a bit of an M&M nut. I like the blue ones. I pick them out.

I've done things to my body, mechanically, that I'll never do again. I've done stunts that I shouldn't have done 10, 11, 12 times. I've broken a ton of bones on sets.

Hollywood is so strange because a lot of times the battlefield is just a meeting. It's not necessarily like an audition. They've seen clips of you and they know that you can perform and it's a matter of "what is your take on a character"?