If you want to draw people into the story, you really have to write as if you're writing a novel and make these actually-existing people, including the actually-existing person with my name, into a believable person on the page. And that requires distance. That requires not being right up against the events you're talking about.

I used to say, 'There is a God-shaped hole in me.' For a long time I stressed the absence, the hole. Now I find it is the shape which has become more important.

When I am writing novels I don't read a lot of novels so I try to catch up in-between.

The thing that always attracted me to New York was the sense of being in a place where a lot of people had a lot of stories not unlike mine,' Rushdie says. 'Everybody comes from somewhere else. Everyone's got a Polish grandmother, some kind of metamorphosis in their family circumstances. That's a very big thing - the experience of not living where you started.

When you write, you write out of your best self. Everything else drops away.

The PEN/Barbara Goldsmith Freedom to Write Award is a way of spotlighting individual cases. If you look at the history of the award, the freedom rate is very high: a very high percentage of people who receive those awards are freed in the next six months to a year. The only weapon there is attention, but interestingly it works.

I do not need the idea of God to explain the world I live in.