I would say that my great political awakening was really born on Okinawa, reading Albert Camus: the "Neither Victims nor Executioners" essay and The Rebel. I was an eighteen-year-old kid. I hated myself. I hated my life. I thought nobody wanted me.

We poets don't tend to be certain a lot. Much of our art is made out of our own uncertainty. And there is a not-knowingness, I think, that leads us back to suffering humanity with a more compassionate vision than most of our politicians have.

The only thing we all agree on, virtually every poet in this country, is that this Administration is really frightening, and we want something done about it.

Sometimes people come up and they get infatuated with some little brief imagistic poem or something, and they say, "Oh, I really like your Zen poems." And I say, "Which ones are not Zen poems?"

Nothing will change until we demolish the "we-they" mentality. We are human, and therefore all human concerns are ours. And those concerns are personal.

When these idiot rightwingers start complaining about poetry being political, I'm fond of reciting Sappho to them, who excluded men from her world. Why does she exclude them? Mostly because of their warmongering.

That's one of those questions that would just love to have a pat answer. You know, poetry's job is to make us feel good. Poetry exists to allow us to express our innermost feelings. There isn't one role for poetry in society. There are many roles for poetry. I wrote a poem to seduce my wife. I wrote a poem when I asked her to marry me. Poetry got me laid. Poetry got me married.