I would say that my great political awakening was really born on Okinawa, reading Albert Camus: the "Neither Victims nor Executioners" essay and The Rebel. I was an eighteen-year-old kid. I hated myself. I hated my life. I thought nobody wanted me.

Poets should speak out against what we see as the assault against our Constitution and the warmongering that's going on. I'm perfectly willing to lay down my life for my Constitution, but I am not willing to take a life for it or any other reason because I think killing people is counterproductive.

Kenneth Rexroth took me under his wing for a brief period. I was fifteen years old, and I was smoking a lot of heroin and trying to be cool, man, and I really loved poetry. And Kenneth convinced me that destroying myself was not really the best possible solution, and that I needed to look at the world's literature, and not just my own life, in order to be hip, if you will. So he had a huge influence on what became of me thereafter.

I haven't seen any poet in this country behave nearly as rudely as Newt Gingrich or Bill O'Reilly. I'm not asking these people to approve of everyone's manners. I don't feel obliged to defend the manners of every poet who submits a poem to my web site. That's not my job. My job is to provide them with an opportunity to speak from the heart. If there's not much in the heart and if the mouth is running wild, that's not my problem.

If only we could touch the things of this world at their center, if we could only hear tiny leaves of birch struggling toward April, then we would know.

I'm a poet who practices Zen. And it's not, I'm somebody who practices Zen who writes poetry. There's no separation for me.

What poetry does above all else is develop sensibility. And that's what makes poetry so dangerous. That's why poetry is so good at undermining governments and so bad at building them. There's nothing harder to organize than a group of poets.