I have been doing this [acting] for a really long time, so I've come to expect things to take a really long time. You get to a place where you do your job and then you dust your hands off and say, "Okay, my job is done. Now, it's in the stars. We'll see what happens." There's nothing I can do to affect it.

I always learn something from every actor I've ever worked with. I always pick something from them.

Anytime you do a job, especially one that's as intense and long as this one was, you have phantom work syndrome. I'm constantly feeling like I'm miked, so I'm careful of what I say all the time.

There are movies that I love tonally, that I would love to emulate. Anything from Wes Anderson or the Coen brothers is right in my wheelhouse, as something that I would aspire to. I love that kind of indie, fun, colorful, funny, sweet, heartfelt but dark film.

My kid is a year and a half old, and I just want to roll around on the floor with him for a little bit and have a normal relationship with my family.

The transformation is the most excruciating pain that you could possibly imagine, so you're mimicking this grand mal seizure while wearing crazy latex make-up. It's so bizarre. It's really out there. The most challenging part is the emotional and physical side of it.

Historically, I've done movies, but I've got a family already. I've been doing this for many years, and the idea of working consistently on something that I really, really love, and the steadiness of it, was really appealing.