Anytime you test for a TV show, you have that bit of squeamishness entering into it because they lock you in for a number years.

Anytime you do a job, especially one that's as intense and long as this one was, you have phantom work syndrome. I'm constantly feeling like I'm miked, so I'm careful of what I say all the time.

Historically, I've done movies, but I've got a family already. I've been doing this for many years, and the idea of working consistently on something that I really, really love, and the steadiness of it, was really appealing.

There are movies that I love tonally, that I would love to emulate. Anything from Wes Anderson or the Coen brothers is right in my wheelhouse, as something that I would aspire to. I love that kind of indie, fun, colorful, funny, sweet, heartfelt but dark film.

The transformation is the most excruciating pain that you could possibly imagine, so you're mimicking this grand mal seizure while wearing crazy latex make-up. It's so bizarre. It's really out there. The most challenging part is the emotional and physical side of it.

In all seriousness, I'm flattered and humbled to have been asked to reprise my role as Luke in the 'Veronica Mars' movie.

I was in love with the British 'The Office', so even though I love Steve Carell, when they were going to remake it, I was like, 'This is not going to work. I'm going to completely veto this show. I am not going to watch this show.' But now, I love it.