I deliberately, in a way, went for something that was a huge challenge and was a big period film. I was excited about the canvas on which I could tell the story as much as the story itself.
As a first-time director in America, I feel I've been very fortunate.
I feel like the American years were my apprenticeship for doing a Bond movie.
You think about taking audiences on a journey.
I've made movies that cost less than one car chase.
All I know is that I operate by going out to each of them and trying to learn the territory in which they operate. My language to each of them has to suit their brain.