One book that has meant much to my writing is W.G. Sebald's The Emigrants. He uses a photograph of Vladimir Nabokov hunting butterflies in a similar way. The image or a reference to the image is traced throughout the four separate narratives. It sometimes seems to be the only link between the pieces, while the symbol Nabokov cuts remains wide open, a pencil sketch, a mystery to interpret outside his role as emigrant/observer.
Samantha HuntI am very bad at remembering the books I've read and so recently I had a wonderful experience. I decided I wanted to teach Toni Morrison's The Bluest Eye. I hadn't read it in twenty-five years. I was surprised to find how much I drew from that book. Stole from that book, learned from that book about writing. I had forgotten and there it was. Morrison has called that text faulted. I cannot see how.
Samantha HuntAs a teenager and into my early twenties I lived in a geodesic dome on a mountain. No running water, no phone, real rustic. I loved it. One night, there by myself, I was terrified. I was up in the loft trying to sleep but I couldn't because I was so scared to be that alone. I knew I'd never lose my fear if I didn't address it so I went outside in my undies and waited for the darkness to come and kill me. But it didn't. It was beautiful and calm and even kind. I went back to bed eventually.
Samantha HuntIn writing I found a way to make silence and to be silent. The short story has a lot more silence than the novel and that is its success.
Samantha HuntI am surprisingly optimistic, though lately that's been hard to maintain. Art and slow, small, close gestures help remind me of my optimism.
Samantha HuntI think I write mostly about death and so it is interesting to hear how often people think I'm writing about pregnancy and birth. Though of course they are two sides of the same coin. Both when I was pregnant and now as a mother, I am consumed with thoughts of death. This is a strange role in parenting. The death guardian.
Samantha Hunt