The Romans had, like other Pagan nations, a nature festival, called by them Saturnalia, and the Northern peoples had Yule; both celebrated the turn of the year from the death of winter to the life of spring - the winter solstice. As this was an auspicious change the festival was a very joyous one... The giving of presents and the burning of candles characterized it. Among the Northern people the lighting of a huge log in the houses of the great and with appropriate ceremonies was a feature.

[The Man] was a case where it was a funny role teamed up with another actor. It's a great teaming. And the role was a bigger role. It wasn't so much that it was a co-starring role. This is not a new direction. I'm not saying, 'No. I'm only now co-starring.' It just happens it's a co-starring role.

Everything that I've gone through informs me and my opinions in a way, I guess because I am a child of segregation. I lived through it. I lived in it. I was of it.

I love to play real people... good people that I know the audience will get behind. It's the good people in the world that I gravitate to.

It's often hope, hopeful movie making. You're always looking for catchphrases. That's always funny, when you're looking for that future line. "Uh oh, future line. Okay."

Quentin Tarantino was talking about Ordell a little bit, and I was like, "I'm sure Ordell is one of those people who thought Superfly was the greatest movie ever made." So he cuts his hair and straightens it, but he never has enough money to maintain it perfectly. So it's kind of nappy around the edges, straight and kind of puffed up. That's why he'd always keep it in a ponytail or a braid. We were just having fun and creating a distinctive character.

When I'd read the script [The Man], [ Eugene Levy] that's who I'd seen in my mind. When I ran into him, I said to him, 'I read the script. You'd be great.' He had no idea what I was talking about. Then, we saw each other again in London. He'd read it and was enthused about it.