I realized that being an actor was something I never owned up to, in a weird way. I would be a hostess or a waitress or a house restorer before I would consider myself an actor, because I never thought I was good enough.

Y'know, every relationship is different. There are good marriages, bad marriages, connected partners, unconnected partners.

I mean, yeah, Anne Fletcher was a choreographer, but she was born to be a director. You need to have the ability to figure out people's rhythms. It all starts from the script.

I know when I'm getting ready to mess up, I'm going to do it full-on.

Poop humor is fun. If you do the toilet scenes well and commit to them, they can be really, really powerful.

Ironing is comfort. It's control. I'm a nutty person who likes to make sure everything is in its place.

If you're gonna tell a story from beginning to end, I always think you have to have a great structure in a script. If it gets you excited and it's something you've never read before that's another plus. I think also with improv and that whole world of stand-up, that's a whole other organism of comedy that still needs a story, but it's more free-form. On the set, it is the combination of both those worlds coming together: a great script and an allowance to play with it.