Something I always tell students is, when you're writing something, you want to write the first draft and you want it to come out easily in the beginning. If you're afraid to say what you really have to say, you stammer. When you're thinking of your listener, that's when you start stuttering and it's just because you're nervous that your listener is passing judgment.

Once you can open yourself to joy, you feel as if you've transformed your sadness into illumination, which is really all that art is. All we want to do is transform the negative emotions into light. We want to compost them into light.

I was very lucky. I don't know German, or Dutch, or Chinese, or Thai. I don't know them, so I can't judge, so I have to go on the word of the publisher that it's a good translation.

I was so happy when I went to Rome and I saw that the Romans eat them too, the squash blossoms. [...] No wonder I like the Italians!

I have to get my will in order. I have to get the Macondo Foundation going. I want to invest the money and resources that I've gotten from working so hard so that it's shared and it has its life beyond me.

I have to understand what my strengths and limitations are, and work from a true place. I try to do this as best I can while still protecting my writer self, which more than ever needs privacy.

A second person that's come to my life very recently, and I'm thankful for it, is Marshall Rosenberg, the founder of the Nonviolent Communication Organization. He has all these books about how we can use our language nonviolently to help create peace. He's using a lot of Buddhism too, but he's helping me to think about language.