It's difficult for me to have a large story, a very large story - a novel is a large story. I'm used to writing and doing these little miniature paintings.

I want to write an essay called "Fear of Mexico," because I always feel like Mexico's this lover that never writes to me.

Spanish is a poetic language, in particular the Spanish of Mexico which has a wonderful animistic attitude you might not see in the Spanish of the peninsula. I think it has to do with the indigenous way of looking at nature.

My readers are as diverse as any group you will ever see. Something that booksellers always tell me. That they are always surprised at the kind of people that come to my readings. That they are such a mix of ages and colors. It looks like people spilling out of an elevator.

I always have to have sweet and salty. I know some of you are going to say, "Oh, I tried dates. I hate them." That's probably because you had the ones that were on the shelf for three years. Go to some healthy place and get the fresh ones, and you will just love them. You'll start eating them and think they're so good.

I wanted to write something in a voice that was unique to who I was. And I wanted something that was accessible to the person who works at Dunkin Donuts or who drives a bus, someone who comes home with their feet hurting like my father, someone whos busy and has too many children, like my mother.

Heartbreak allows us to also experience joy and love but you have to walk through heartbreak to even know what joy is. Heartbreak is a constant and it is even necessary. It allows us the opportunity of introspection and exploration. Those processes are what is necessary to write and engage in the arts.