When you have a flourishing of the economy you have a flourishing of the arts.

I wish somebody had told me love does not die, that we can continue to receive and give love after death.

I didn't marry. I didn't have children. I followed the food supply for jobs. I kept writing at night. And that kept me moving. It kept my life disruptive. It broke up many relationships. Was it worth it? Yes.

You know how women have this clock when they want to have a baby? I had this clock where I wanted to win a national award by thirty, be at a big press by thirty-five. I was always working with these self-driven goals.

The truth has a strange way of following you, of coming up to you and making you listen to what it has to say.

The ideal for me is to mix it up. When I have a writing workshop, I like to have people that are anthropologists and people who are poking around in other fields, I like to have them all in the same workshop, and not worry about genre.

The good thing about Dennis [ Mathis] is, even though he's a white, he respected that I was doing something quirky with my English. He loved it when I would mix up the Americanisms and say, "That's water over the dam."