When you edit, you imagine your enemy is seated on the other side of the table. Your enemy! And your enemy is going to read that with a viciousness, because he knows where you didn't work on it. He's going to shake it and really aim for that jugular. So you are going to polish, and revise, and rewrite, and cut out, and shape it, so that your enemy has no place to grip it. That's how you revise.
Sandra CisnerosSpanish is a poetic language, in particular the Spanish of Mexico which has a wonderful animistic attitude you might not see in the Spanish of the peninsula. I think it has to do with the indigenous way of looking at nature.
Sandra CisnerosI feel the fear touches on something deeper. A sense perhaps of, "My life is speeding past me and I can't get a handle on it."
Sandra CisnerosThe comments you'll get from a filmmaker about your performance are going to be very different. My writing workshop is about mixing it up, cross-pollinating, not only in genres but in occupations.
Sandra CisnerosOne press account said I was an overnight success. I thought that was the longest night I've ever spent.
Sandra CisnerosWhat I recommend is this: after you've talked to everybody, go take a nap! Take a nap. Your body really needs to sleep. It's like washing your face. If you can't afford a three-hour nap, do a one-hour nap. If you can't afford a one-hour nap, do half an hour. If you can't afford half an hour, do fifteen minutes.
Sandra Cisneros