There are occasions when I've had beef, but I generally tend to avoid it, as a nod towards my parents' culture.

Alan Alda and his wife Arlene are two of the most life-affirming people I've ever met. He espoused equal rights for women while producing, writing, acting in and directing M*A*S*H; he used to commute between the set and home because he didn't want to disrupt his kids' schooling.

If I go anywhere where there are people who vaguely look like me, there is always that feeling of, 'Actually I do look quite similar to everyone else.' At moments like that, I become very, very British. My accent gets more clipped, and I stride around as if I've got an empire.

I started working myself from about 14, really, so I wasn't a burden on my family. I did a paper round and a milk round. When I was 15 or 16, I worked in a supermarket on Saturdays stacking shelves, and then every summer I temped, right through university until my working days started.

The worst moment in my life was when I was seven years old and I discovered that there was a thing such as racism. You don't know you're different until someone lets you know.

My mother had been an English teacher in India before she came to the U.K., and she taught me to read early on - not only in English, but in Hindi, too. My teachers didn't like the fact that I was reading more quickly than they were teaching, and as a consequence, I would sometimes get bored in class.

I'm sure I went through a stage when I resented being Indian because in every other manner, in terms of cultural reference points and vocabulary and all the rest of it, I was way ahead of everybody else - so the one thing that set me back was being Indian. And I couldn't do anything about it.