Being a human being is all about experiencing all of the wonders of the world and therefore as an actress, I'm open to any opportunity that may enrich my horizon.

All of my short films are about marriages, and I think that this probably comes from some kind of unconscious fascination with my parents' story and what they went through.

It's hard to give up that amount of control. It's scary to make yourself that vulnerable. Because you might do all kinds of things that are unplanned or are unexpected that maybe don't work, and you have to trust the director to see that and work around those things. I find it really scary.

We're still at a point where women [directors] aren't allowed to be mad visionaries. We have to prove beyond a shadow of a doubt that we're responsible, that we can handle it, that we've got all our ducks in a row . . . most women who direct always come in on budget, always come in on schedule, and if they were wild and irresponsible it would not be put down to brilliance, but to a general flakiness.

With being a mother, I feel like you choose how you spend your time so much more carefully - which is a good thing.

I'm never sure what's coming next, but I'm an open minded person and I welcome any challenge.

I think that I get different kinds of joy out of directing a film and acting, and it's sort of necessary to just be doing one and focusing on that. I'm in awe of anyone who tries to be an actor-director, so I couldn't really see that.