There is space for a different kind of investigative reporting that's about immersion and obsessive attention to detail and deep listening.

Workers are actually being starved on the largest military base in Baghdad, and women are being raped with impunity - and because it doesn't fit into a Hollywood context it's not going to fly.

I learned a lot, investigative methodology - wise, from litigators - watching their process.

I try to come to my reporting as a real, whole person, not an automaton. And it's always one of the strange discomforts of the job, that you're in this very intense moment in someone's life - you're engaging with them nonstop - and then suddenly your piece is out and that's done. It always reminds me that the journalist's job isn't to be someone's friend, or their psychologist, or anything other than what we actually are. And at the end of the day, that can definitely seem like such a strange, extractive relationship.

Often, my central challenge is figuring out how do I build trust, how do I acquaint people who've just endured some terrible event - losing their child to murder, say, or being sexually assaulted - with the bizarre and sometimes invasive nature of in-depth interviews that aren't just a quick list of ten questions?

I always knew I wanted to write, but I didn't know that I would want to do investigative reporting - in part because it seemed so ill-suited for my personality, or I thought it was ill-suited for my personality, insofar as I'm not very aggressive, and I'm not confrontational.

There is space for a different kind of investigative reporting that's about immersion and obsessive attention to detail and deep listening.