It is a bit more challenging for the simple fact that now the stories I am writing are relying more on my imagination than on facts, more on research than on memory; so it is basically a slower writing process, more reading, more exploring. On the other hand, this approach is a little bit relieving too, since many times while writing [How the Soldieer Repairs the Gramophone] I felt too close and equal to my character.
Sasa StanisicFAQ regarding my book were not about my use of commas or how the images went berserk, but about the political situation in Bosnia, about guilt and shame, about victims and perpetrators, about reasons, arguments and beliefs that led to the conflict in the first place, etc. All of this needed and still needs answering and ongoing discussions, but I mostly felt overwhelmed and unqualified to articulate anything worth more than personal experiences of the siege, of fear and refuge - all the things which I wrote about anyway.
Sasa StanisicEurope is not becoming more unified - well, yes, on paper - but not as long as the criteria for so many things (import regulations, border control, visa politics...etc.) are still made in an unjust, unreasonable way.
Sasa StanisicIt just seemed to me so utterly wrong to credit someone's work just for the fact that this someone migrated from one place to another. We all move. We are all leavers and new beginners at some point, and yes, it is a huge leap from war to peace, from one language to another, from Boston, MA to Joplin, MO.
Sasa StanisicWriting about a war will always be political writing, no matter what amount of hermetical hide-and-seek or aesthetical operations are involved.
Sasa StanisicDealing with all the questions once the book is out and unchangeable, forces you to permanently give opinions about - in this case - sensible, challenging topics that you are basically only half the expert you would have to be if you wanted to explain yourself in a trustworthy, intelligent and helpful manner.
Sasa Stanisic