It wasn't until I discovered comics that I actually began to approach drawing as a possible career.

The ancestors of printed comics drew, painted and carved their time-paths from beginning to end, without interruption, ... the infinite canvas.

I don't think the potential for comics in nonfiction has been exploited nearly as much as it could be.

If a comic comes out on the scene and it's really knock-out brilliant, the community is pretty good about getting the word about good newcomers.

To kill a man between panels is to condemn him to a thousand deaths.

I've always been very forward-looking, and it was actually kind of difficult to turn my gaze backwards to look at comics history.

And what better way to reinvent the form than to toss virtually 99% of everything that's been done with it and start with a brand-new canvas, reinvent it from the ground up? Digital comics gave me the opportunity to do that, and producing things digitally gave me the opportunity to do that.