As a student in England, I studied French and English literature. I read L'Etranger and the rhythm of the novel felt familiar to me - very African.
Sefi AttaI always begin [a novel] with outlines, but they change and so do my endings and beginnings.
Sefi AttaFor all forms, writing dialogue is almost like writing music. I pay close attention to rhythms and tones.
Sefi AttaI don't remember being a keen reader, but apparently I was. My aunt told me that whenever I was teased for reading, I would say, "To each his own."
Sefi Atta