For all forms, writing dialogue is almost like writing music. I pay close attention to rhythms and tones.
Sefi AttaI had stopped writing plays set in villages because they were not relevant to my experiences and I knew my English classmates wouldn't appreciate them.
Sefi AttaI don't have much of an imagination, but I have a mind bank of details, which I play with. It's how I daydream, so writing like that is natural for me.
Sefi AttaI never wanted to be a writer; I just had stories I wanted to share so I learnt how to write and kept going. If I could sing or paint, I would.
Sefi Atta