When I'm drawing a bottle or a town or a market, I transport myself there. So I start drawing everything that I'm looking at while I'm there. Here's a guy selling the meat, and he will have a hook, and you start adding things, and it's a lot of fun.

Fortunately, cartooning is not a job. It's something like eating or sleeping.

I'd love to do a whole series of stories and have them collected into books.

When sadness happens in the middle of work, I separate my personal grief from my train of thought.

My work is so unorthodox that from one panel to the next, the drawings are completely different... totally opposed to the way of working in something like animation, where every drawing has to look like the one before.

The Boogeyman is your conscience. The Boogeyman is the result of your own bad behavior. I love this Boogeyman.

If the gag is complicated, you spend more time thinking about the way you’re drawing it.