Whatever kind of story you're telling, whether it's a genre piece for a comic book or whatever it is, it has importance because it's all a metaphor for the existence of our being.

Passion is so contagious. When you're working on a project where people care, on every level, from the key grips to the main writer to the star of the show, you can't help but want to jump on board and create something.

Before Fringe I was in Dirty Sexy Money playing Jeremy Darling who was this bratty New York socialite.

To get to play a bad person and do bad things in a safe environment like 'Arrow' was pretty amazing.

Fringe' was the first time I realized that I could ever man up in a character and make this transition from being a boy or a young man into actually being a man.

Whatever kind of story you're telling, whether it's a genre piece for a comic book or whatever it is, it has importance because it's all a metaphor for the existence of our being.

The difference between film and TV, for me, is just that huge thing of knowing that there's a script that is not going to change and you can go really deep into that. With TV, you're just constantly on a high-wire, making sure you don't fall.