Whatever kind of story you're telling, whether it's a genre piece for a comic book or whatever it is, it has importance because it's all a metaphor for the existence of our being.

War films usually so dark or dirty or intense, and sometimes they guide you to feeling a certain way against war, in general. But, to have a film that just speaks honestly to the soldier's experience and isn't jaded and is just authentic and easygoing in its message, I think is really nice to see.

I could have been on a path that led to different, more traditional teen romance, and 'Nip/Tuck' shook me loose from any generalization I might have been forced into. It helped me understand I wanted to take on things that were edgier, more challenging and riskier.

Passion is so contagious. When you're working on a project where people care, on every level, from the key grips to the main writer to the star of the show, you can't help but want to jump on board and create something.

I've always had the fantasy of doing a boot camp for a military film, at some point. I've always wanted to know what the experience is like, to feel that mounting pressure of going off to war and needing to be so present and physically aware of your body because you ultimately need to fight for your life and for your country.

I think what's so great about 'Arrow' is that they really ground everything in reality.

Before Fringe I was in Dirty Sexy Money playing Jeremy Darling who was this bratty New York socialite.