Sometimes we see the Civil War in movies and imagine these neatly aligned rows of men with muskets, walking in line to shoot each other. In reality the things that fascinated me were how absolutely ruthless and violent so many engagements were, how much suffering and how men were not prepared.

I feel rather like a rabbit that has taken a fox for its pupil.

Some novels present a story form many points of view. Most movies tell only one person's side of the story. Sometime it's easy to use the strongest point of view, or find the character with the most dramatic experience. It depends on which themes the scriptwriter wants to explore.

If a novelist has created vivid characters, interesting relationships, settings the reader can easily imagine, and intriguing stories, a screenwriter has loads to work with. The challenge comes with deciding what to cut and what to keep.

Your mother will never see you again if you do not marry Mr. Collins, and I will never see you again if you do; for I shall not have my best warrior resigned to the service of a man who is fatter than Buddha and duller than the edge of a learning sword.

My job on 'Dark Shadows' was to make it fun and funny, first and foremost. It can still be dark and it can still even be gory and gothic at times, but it also needed to be fun and it needed to be an experience that people would enjoy having.

Abraham Lincoln comes from nothing, has no education, no money, lives in the middle of nowhere on the frontier. And despite the fact that he suffers one tragedy and one setback after another, through sheer force of will, he becomes something extraordinary: not only the president but the person who almost single-handedly united the country.