I don't make the best movies in the world, but at times, I do feel like I'm adding something to the cinematic community.

There's something you can get away with when you know you're only going to be on one season. There's no sense of, "We should save that." It's just like, "Use that! Get it out there now. They could shut us down any second!"

Americans whisper the word Alzheimer's because their government whispers the word Alzheimer's. And although a whisper is better than the silence that the Alzheimer's community has been facing for decades, it's still not enough. It needs to be yelled and screamed to the point that it finally gets the attention and the funding that it deserves and needs.

You can actually improvise a lot as a voice actor. It's not that entirely different than shooting a live action movie; the characters mouths are quite easy to manipulate once all the information is built into the computer. So you can improvise a lot and it doesn't matter really how far along they are in the process they can really just make the character say something different.

I would only date a 15 year old high school girl.

It was a great time. We did hurt ourselves [on Pineapple Express set]. [James] Franco cracked his face open.[Danny ] McBride cracked the back of his head open. I punched Amber[Heard] in the face just to get her in the mood for things. 'Welcome to the set!' But it was a lot of fun. I loved it.

Making [Pineapple Express] was a blast. I'd kind of gotten to the point professionally where I was pretty emotionally exhausted from making dramatic films.