We originally actually wrote Franco's part [in the Pineapple Express] for me and the part I ultimately played just for someone else in general. Then when we got Franco involved we thought it was a good idea to switch the roles. I think it worked really well.

I think around that time I met David [Gordon Green] or, well, we all met at Superbad and Judd [Apatow] said, 'I'm thinking about having him direct [ Knocked Up].' Sounded like a good idea.

I think that, honestly, people's censorship issues are personal but I disagree with most of those personal choices that I see others make. You know, I watch television and there's a grotesque amount of violence on almost every show that you would watch that comes on past 8:00 pm. And I think my dirty brand of humor is far less destructive to a child's mentality.

[ I watched ] Spicoli in Fast Times, which isn't exactly a stoner movie, or The Big Lebowski, which I think is more than a stoner movie or Brad Pitt in True Romance.

This s - t [smoked on scenes] called Wizard Smoke. I didn't like it. [James] Franco didn't have that hard of a time with it. Franco will smoke anything.

I’m very curious in regards to "The Hateful Eight" specifically about the blocking of the movie. Because in comedies, we don’t block. We basically like have to position the actors’ bodies in the way that is most conducive to filming both of them simultaneously.

I mean, where I come from, 'communism' is not a terrible word.