I know most people don't like their jobs very much and don't get a lot of personal satisfaction from their jobs. That's something that I really do get a lot of.

I remember thinking as I was doing the jokes for the first time, "If I can hear that very clearly, I'm not hearing laughter." It just became deafening, this buzzing noise. I mean, it was brutal. It was really terrible. Then I remember thinking, "At least nobody important, or anyone who I really respect, saw that." And then literally right when I went off the stage, Jerry Seinfeld got up and went on. So I was like, "Oh great. Seinfeld saw me bomb." On the other hand, I thought, "At least no one will be thinking of me anymore. They'll just be focusing on him."

The current Babe Ruth of improv? Sacha Baron Cohen. He's pretty amazing.

I knew I just loved comedy, and I think it was my parents who initially brought up the notion of me trying to do stand-up. I think I actually tried writing jokes just at home, just kind of sitting around. But it seemed like a very real way to step into the world of comedy. I felt I could do it, so why not?

To me, what separates a funny movie from a good movie is something personal.

After every single take, I laugh. It's my own awkwardness and discomfort about being an actor.

I was, like, a brown belt, which is pretty good. I entered a tournament once, and I punched the guy in the throat and got disqualified. I realized - I don't know if you're familiar with "Karate Kid," but the bad guys in that are called Cobra Kai, and they're, like, the evil karate guys. And then when I went to the tournament, I realized that's what we were; we were like the Cobra Kai of the Jewish karate community.