I knew I just loved comedy, and I think it was my parents who initially brought up the notion of me trying to do stand-up. I think I actually tried writing jokes just at home, just kind of sitting around. But it seemed like a very real way to step into the world of comedy. I felt I could do it, so why not?

Years and years of talking and writing versions of the script [Sausage Party] and looking at various versions of the animations - I mean, it's really a lot of workshopping and trying different things, and using the cast to try different voices and characters. And that's the good thing about animation. Because it takes so long, it allows you to explore in a way that you can't in live-action movies.

I don't smoke weed on set all day. I just want to say that, you know, not all day. After lunch you get tired. What can you do? To me, the fact that a character smokes weed isn't really what I hang my hat on necessarily.

Oftentimes what happens actually is people say to me, 'I didn't know if it was you or not, and then I heard you laugh, and then obviously I could tell it was you.'

I'd moved to L.A., and everyone's actors here and writers, they were like super emotional and super in touch with their feelings, and it seemed like every two weeks one of my friend just coming to me and, like, you hurt my feelings the other day, dude.

My characters come from a good place.

For me to act natural and real but also try to be funny while doing that is hard.