Love is loss combined with pain.

In the traditional Islamic world, the hierarchy of the arts was not based on whether they were "fine" or "industrial" or "minor". It was based upon the effect of art on the soul of the human being.

Muhammad was, first of all, a Prophet of course, a beloved and lover of God, a father, an army commander, a judge, a ruler of a community, the King of Medina and later of Arabia, and all of these were combined in him and his destiny, the reason God brought him on earth, was to show how each of the functions which human beings have in life have the perfect form in the prophet.

Militarily, the great movements of resistance against colonial powers in the 18th and 19th century were almost all from Sufis: Imam Shamil in Caucasia, Amir Abd al Qadir in Algeria, The Barelvi family in the modern province of India, today which is Pakistan, and you can go down the line.

Sufis have always been those that have tried to purify the ethics of Islam and society. And they don't have their hands cut off from the external action at all. For example, the bazaar in which the Sufis were very strong always dominated economic life in Islamic world. They could give a much more sane and Islamic form of activity when the economic life of Islam moved out of the bazaar to new parts of Islamic cities with modernized Muslims, who took it in another light and it became very, very anti Islamic, and much against many of the most profound practices of Islamic societies.

In fact, the machine doesn't have the consciousness we have, the free will that we have, and to surrender one's free will, not in every matter but in spiritual matters, to a spiritual teacher is in a sense a lower level of surrendering one's will to God.

There are millions and millions of Sufis who have existed in Islamic history and have the deepest impact on every aspect of Islamic culture and civilization to philosophy to art to science to social structure to economics who have not met the destiny of al-Hallaj.