In a nation of celebrity worshipers, amid followers of the cult of personality, individual modesty becomes a heroic quality. I find heroism in the acceptance of anonymity, in the studied resistance to the normal American tropism toward the limelight.

When two people marry they become in the eyes of the law one person, and that one person is the husband.

Tourists moved over the piazza like drugged insects on a painted plate.

How is the newcomer to deal with Rome? What is one to make of this marble rubble, this milk of wolves, this blood of Caesars, this sunrise of Renaissance, this baroquery of blown stone, this warm hive of Italians, this antipasto of civilization?

The rich plankton of pop heroes and pop villains on which we Americans are accustomed to feed, the daily media soup of sports figures, ax murderers, politicians, and rock singers, the ever-running river of celebs, heavies, and oddballs that we use to spice up our own relatively humdrum lives has of late become a very watery gruel. Where have all the good guys and bad guys gone? Why does everyone out there look so gray?

The law changes and flows like water, and . . . the stream of women's rights law has become a sudden rushing torrent.

Until quite recently dance in America was the ragged Cinderella of the arts . . .