In a nation of celebrity worshipers, amid followers of the cult of personality, individual modesty becomes a heroic quality. I find heroism in the acceptance of anonymity, in the studied resistance to the normal American tropism toward the limelight.

A handwritten, personal letter has become a genuine modern-day luxury, like a child's pony ride.

The notion that the great artist requires a great patron has been around since the Pharaohs. That the born patron also needs an artist to patronize is a less-studied phenomenon.

Roughly speaking, the President of the United States knows what his job is. Constitution and custom spell it out, for him as well as for us. His wife has no such luck. The First Lady has no rules; rather each new woman must make her own.

Huge herds of vigorous, curious, open-eyed Americans freely roaming the world are, it seems to me, quite possibly a vital national resource today as at no other time in our history.

The rich plankton of pop heroes and pop villains on which we Americans are accustomed to feed, the daily media soup of sports figures, ax murderers, politicians, and rock singers, the ever-running river of celebs, heavies, and oddballs that we use to spice up our own relatively humdrum lives has of late become a very watery gruel. Where have all the good guys and bad guys gone? Why does everyone out there look so gray?

The Federal Building's large Ceremonial Courtroom, reserved for show trials, is veneered in executive teak. Bench, counsel tables, jury boxes, entrances, and exits -- all are as formally arranged as an Elizabethan stage. Only the drama is shapeless, at least to those of us who have never seen a trial before. We see only random movements, sequences, comings and goings, no form or agenda apparent. To us the action is less like watching a play than watching an aquarium.