There's good and bad in every arena. It's funny, some people, the reason they're in the underground is because they're lazy and don't make things happen for themselves.

Creating is about sharing ideas, sharing aesthetics, sharing what you believe in with other people.

What excites me is that, when things are tough, people become resourceful, and now with the Internet, social networking and the ability for people who in the past had been relatively powerless, they have tools to be able to spread ideas and organize. The urgency is there and the tools are there and I think that the possibility for really, really powerful results is there. I think it's all brewing, it's all bubbling up right now.

There's always a lot that's making me angry, but it won't tie into the election. I mean nothing against Hilary Clinton. I agree with Hilary on most issues, but campaign finance structure makes me very angry, because it means that politicians are going to have to raise a huge amount of money, which narrows the field dramatically.

The Internet wasn't even an option for me, so one of the reasons I was so motivated to do street art was because there was no other outlet. Maybe if the Internet had been around then, I would have tried to do stuff that went viral and was clever and got me a lot of hits.

MY INSPIRATION FOR THIS LIMITED EDITION DESIGN WAS BASED ON THE LEGACY OF HENNESSY AS A BRAND. TO ME, HENNESSY HAS ALWAYS BEEN ABOUT QUALITY, AUTHENTICITY, TRADITION, AND ELEGANCE.

I don't agree with most forms of censorship, and I especially don't agree with the idea that one needs to be from the same cultural, ethnic, or religious background as the subjects they portray in order to be qualified to portray those subjects. I believe that compassion and empathy should cross all of those category barriers, and the conversations art creates can be inflammatory initially, but I think are most often constructive and healing in the long run.