I put a lot of effort in creating something fictional, yet very personal, because Shook is a defining part of me and my music: the Shook entity is much like the Batman or Superman comics characters. I like the idea that I can have this image that represents a part of me, but isn't really me, kind of like an alter ego.

Usually, I make a simple beat, throw in the acapella, and then I just improvise on the piano. Whatever comes up, I record the result, and I rework on it. Sometimes it takes a while to come with an idea, but mostly it comes naturally because I already have a connection with the song.

I put a lot of effort in creating something fictional, yet very personal, because Shook is a defining part of me and my music: the Shook entity is much like the Batman or Superman comics characters. I like the idea that I can have this image that represents a part of me, but isn't really me, kind of like an alter ego.

I like music that is really pure and honest. For me, acoustic music, like a piece played on the piano, is very personal.

I'd like it to be a bit of everything, the kind of music you can dance to, but also something a bit more personal, that you can listen to in other contexts. I think it's very important to maintain the contrasts between the different types of music that I make.

It means a lot to me that people appreciate what I do. That's why I give a lot of importance to my fans and I like to maintain a certain proximity to them. I already feel very thankful that people enjoy my work so much, and becoming famous is not my ultimate goal. I think it's important to keep a good balance between what I want to do and what people want to hear; otherwise I might fall into the dark side.

The average kindergartner has seen more than 5,000 hours of TV-more time than it takes to earn a bachelor's degree.