It's the procedures in and for themselves that interest me. The picture isn't really necessary.
What interests me is the unforeseeable.
When I was young, I was interested in Renaissance art.
Picabia is a very old painter who some people try to connect me to, but I refuse such comparisons very well.
A negative is never finished.
Mostly, drawings are things I make for myself - I do them in sketchbooks. They are mental experiments - private inner thoughts when I'm not sure what will come out.