The creative writer does the same as the child at play; he creates a world of fantasy which he takes very seriously.

It often seems that the poet's derisive comment is not unjustified when he says of the philosopher: “With his nightcaps and the tatters of his dressing-gown he patches the gaps in the structure of the universe.

Love can not be much younger than the lust for murder.

There is scarcely room for doubt that something in the psychological relation of a mother-in-law to a son-in-law breeds hostility between them and makes it hard for them to live together. But the fact that in civilized societies mothers-in-law are such a favourite subject for jokes seems to me to suggest that the emotional relation involved includes sharply contrasted components. I believe, that is, that this relation is in fact an 'ambivalent' one, composed of conflicting affectionate and hostile impulses.

What decides the purpose of life is simply the programme of the pleasure principle. This principle dominates the operation of the mental apparatus from the start. There can be no doubt about its efficacy, and yet its programme is at loggerheads with the whole world, with the macrocosm as much as with the microcosm.

In general people experience their present naively, as it were, without being able to form an estimate of its contents; they have first to put themselves at a distance from it - the present, that is to say, must have become the past - before it can yield points of vantage from which to judge the future.

The mind is like an iceberg, it floats with one-seventh of its bulk above water.