I was at an all-girls' school, so there were a lot of us who were really awkward. I was this tall when I was 11, so I was really awkward and self-conscious. No one would really have wanted to be mean to me. I was too unimportant.

I actually think the reason I am interested in certain parts is because I was such a dweeb in high school. When you are such a loser, it's a helpful way in to a lot of characters because even very powerful people are not all that powerful really. They all had a high school. That vulnerability is completely permanent and, as an actor, it's a good thing.

It's very hard to find a good comedy. I prefer doing comedy far over anything else because I think they're actually more profound. But finding a good one and a great ensemble is very difficult to do and I'm delighted that in these particular times there is so much interest in comedy and that comedy is having so much success.

It's always the script that's going to lure me. And I don't really care about the part.

There's something to be said for going right into people's living rooms. I think actors have always loved that medium - you're right in there with people in their homes. A lot of very audacious work is being done on television.

My mother said, "Pack your bags and leave." And my father said, "I've already paid for a year and a half - why don't you stay and get the degree?" And I said, "That's a good idea, because then I can at least run a theater even though I have no talent, and I'll never be an actor." It's my fault that I believed them.

If you come back from the dead, you don't have the same value system, I think.