Genuinely great humour recognises the world it's describing and yet we are also called into question by it. That's what great art should do. That's what great philosophy should do. The one thing about humour is that this is an everyday practice that does this.

It's complicated. On the one hand we're killer apes, and on the other hand we have this metaphysical longing.

There's a floating distraction in the contemporary world, life at a distance enabled by technology. I want people to commit at the level of their subjectivity. The idea of subjective commitment is at the core of ethics, something that divides the self from itself. I become an ethical self. I cannot meet that ideal, I cannot fulfill it, it divides me from myself and it makes me strive harder. This ideal subjective ethical drive is at the heart of an absolutely earnest, radical politics that insists that people will be able to engage with each other, and they're lifted from irony at that point.

Also, rights are not things that are given in the heavens. Rather, they are levers for political articulations, which enables what was previously invisible to become visible.

Philosophy is the art of dying.Philosophy is an activity that has always been concerned with how one seizes hold of one's mortality, and I see myself continuing a very ancient tradition that goes back to Socrates and Epicurus, which is that to be a philosopher is to try and learn how to die. In learning how to die, one learns how to live.

The only answer to the question of the meaning of life has to begin from the fact of our human finitude, of our vulnerability and our fallibility.

The current situation with regard to theory is odd and maybe defined by a paradox.