The main jokes in this film are about big things, love and life and zombies - we all get that.

When men write women, they tend to write women the way they want women to be, or the way they resent women for being. They don't really - they seldom nail it. It takes a woman to write a really good female character. I like that.

Nira Park, who is my longtime producer and friend - I've know her since we did Spaced, the TV show - she gave me this script the last day of filming The World's End. She said, "Take a look at this. It's filming in London next year, and you might like to look at Jack." I trust Nira implicitly.

The revolution of video had a massive affect. We grew up in a time where suddenly you could own films. Before, they had a theatrical run, and then perhaps they'd come back, or you'd catch them in a retro cinema.

The worst and the best that the internet ever did was give everybody a voice.

If I was a supervillain, I think I'd probably ban all smoking and drinking. That's exactly what I'd do: I'd remove all the cigarettes and alcohol from the world. That would piss so many people off. That's worse than, like, murdering puppies. For some people.

If there is no fate and our interactions depend on such a complex system of chance encounters, what potentially important connections do we fail to make? What life changing relationships or passionate and lasting love affairs are lost to chance?