Our biological body itself is a form of hardware that needs re-programming through tantra like a new spiritual software which can release or unblock its potential.

[T]aking the Third into account does not bring us into the position of pragmatic consideration, of comparing different Others; the task is rather to learn to distinguish between false conflicts and the true conflict. For example, today's conflict between Western liberalism and religious fundamentalism is a false one, since it is based on the exclusion of the third term which is its truth: the Leftist emancipatory position.

Come on. I don't have any problem violating my own insights in practice.

You could say, in a vulgar Freudian way, that I am the unhappy child who escapes into books. Even as a child, I was most happy being alone. This has not changed.

The problem with kitsch is that it is all too profound, manipulating deep libidinal and ideological forces, while true art knows how to remain at the surface, how to subtract it's subject from it's deepest context of historical reality. The same goes for contemporary art, where we often encounter brutal attempts to return to the Real, to remind the spectator or reader that he is perceiving a fiction, to awaken him from a sweet dream.

In Fascism, if you were a Jew, you were simply killed. Nobody had the idea of arresting Jews and torturing them to confess the Jewish plot. Because in Fascism, you are guilty for your whole being.

Zionism itself has paradoxically come to adopt some antisemitic logic in its hatred of Jews who do not fully identify with the politics of the state of Israel. Their target, the figure of the Jew who doubts the Zionist project, is constructed in the same way as the European antisemites constructed the figures of the Jew – he is dangerous because he lives among us, but is not really one of us.