It is more satisfying to sacrifice oneself for the poor victim than to enable the other to overcome their victim status and perhaps become even more succesfull than ourselves

A German officer visited Picasso in his Paris studio during the Second World War. There he saw Guernica and, shocked at the modernist «chaos» of the painting, asked Picasso: «Did you do this?» Picasso calmly replied: «No, you did this!»

I think Kafka was right when he said that for a modern, secular, nonreligious man, state bureaucracy is the only remaining contact with the dimension of the divine; the impenetrable omnipotence of bureaucracy harbors is divine enjoyment. It is the performance of its very purposelessness that generates an intense enjoyment, ready to reproduce itself forever.

This, then, is the truth of the discourse of universal human rights: the Wall separating those covered by the umbrella of Human Rights and those excluded from its protective cover. Any reference to universal human rights as an 'unfinished project' to be gradually extended to all people is here a vain ideological chimera - and, faced with this prospect, do we, in the West, have any right to condemn the excluded when they use any means, inclusive of terror, to fight their exclusion?

What is the Absolute? Something that appears to us in fleeting experiences--say, through the gentle smile of a beautiful woman, or even through the warm caring smile of a person who may otherwise seem ugly and rude. In such miraculous but extremely fragile moments, another dimension transpires through our reality. As such, the Absolute is easily corroded;it slips all too easily through our fingers and must be handled as carefully as a butterfly

I secretly think reality exists so we can speculate about it.

For me, ideology is defined only by how the coordinates of your meaningful experience of the world, and your place within society, relate to the basic tensions and antagonisms of social orders.