I wanted to be an archaeologist. But in school you have to take a tremendous amount of statistics for that, and I am not good at statistics. So I hit a real wall with archaeology. It's probably like wanting to be an architect - you think it's all fun and games, and then you have to get out a calculator and you're done.

The hardest thing is spending twelve hours a day accommodating the rest of the world, then going home at night and criticizing it. I would be curious about what I'd write if I didn't have to worry about offending.

It's never good to fall in love with someone whom you'd have to stab in the eyeballs to elicit a response.

Not all shabby is chic, just like not every porn actor is a star.

In New York and L.A., there is sort of that silent competition to be on the cutting edge of something. You end up having a conversation with how the world receives your work, especially if you are writing narrative, not fiction. Sometimes it is an awkward conversation. It's like group therapy.

Normally, I am a vocal advocate for 'looking both ways' and 'knowing the size of one's own body.' But working, socialising and simply running errands in Manhattan, means I am bound to break my own rules on occasion.

Suburbia is too close to the country to have anything real to do and too close to the city to admit you have nothing real to do.